Image Content

Tutama in olden times, tracking
a kangaroo, spearing it & eating it.
"Look! That's meat in my hand! Oh, too much!"
[Drawing by Tutama Tjapangarti]

SINGING THE SNAKE
Selected poems
from Billy Marshall Stoneking's classic collection of poetry


SEASONS OF FIRE There is Law for Fire, singing for Fire, dancing for Fire ? Fire Dreaming. You have been there, you have seen it. You know all the names of Fire: signal fires, hunting fires, sleeping fires, fires for light, fires for cooking, for ceremonies, healing fires of eucalyptus leaves ? Fire is medicine, magic. Fire gave Crow a voice, flying away in pain. Fire brings old quarrels to an end. On top of Uluru, do not drink at the rockhole of Warnampi unless you take Fire or the snake will bite your spirit and drought will follow. Fire can protect you from the dead ones. You have been there, you have seen them. You know all this Fire. The penis is Fire. The vagina is Fire. Fire is inside the bodies of animals. The woman hands a firestick to the boy and he becomes a man. There is a time for every fire. The fires of January are different from the fires of June. In the cold time, a small nudge before sleep will keep the flame alive all night. The right ash, the right heat, the right position of wind, dune and saltbush: a technology of Fire. The knowledge. You have been there, you have watched. You know all the seasons of Fire. Hawk stopped Bush Turkey throwing Fire into the sea. Fire cannot be stolen now; it lives everywhere ? inside the spinifex and dry wood. All this is Law. "The smoking days" ? Buyuguyunya ? come every year. The air is full of smoke. The smoke comes first, then the fire, and then the smoke? All this Law. Hot is more than two sticks rubbed together; and no chopping ? take only what you can drag: green wood for shelter; dead pieces for waru. The wind from the mouth works kindling. Fire makes grass seed. It finds the kangaroo and chases him to the hunters. All this is Law. The burning off and the gathering together are one. You have been there, you have seen it. You know all the seasons of Fire. SKY The guardians of the circumcision ceremony live in the constellation of Scorpio, and turn the sky over every night. The sky is a shell. The Milky Way, a creek of gleaming stones. The Southern Cross is the footprint of the wedge-tailed eagle, and mushrooms are fallen stars. The sun is a woman, moving by different paths between winter and summer. And Jupiter, the dog, hunts with Saturn, who brings bush tucker back to Venus. There are two moon men - an old man and his son - who once lived in the mountains; the father is so large, if you saw him, there would be no room for anything but fear. The son persuades his father to stay in camp. Some nights he stays with him there. If the father were allowed to rise his light would blind the world. And once, after the whitefellas came, the people from wilarata side saw Jesus in the clouds. ICE Yunakaltja, salt lake - camp of the ice-men, underneath. You can?t see them, but that means nothing. When they open the door to their cave they can touch you. (Who says they have no life?) Everybody feels the ice-men. They come from the south, travelling everywhere. They make the cold. They make the winter wind. They can freeze anyone. Their bodies are covered with ice. Eyebrows, beards, long hair thick with frost. They freeze the rockholes. They crack the hunters? feet, lift mountains, and turn the hills upside down. They make small, big; and big, small. Only strong chanting hunts them away - you can?t fight ice with boomerang and spear. But the songs can stop their roar; the songs can chase them back to Yunakaltja, to their home under the salt lake where they live in ice with no women. INSTRUCTIONS FOR HONEY ANTS Work with the end of your dress tucked up between your legs. Speak in whispers; laugh silently; do not whistle. Whistling, especially, brings bad luck. Do not be afraid to feel where you cannot see. Disappear into the earth with crowbar and billy can; go down, maybe ten feet. If you find them, it is better when children are waiting. This is marangkatja: a gift. Love what you are after. SPIRIT CHILD The spirit child has light skin and long black hair. It waits in the shade of the bloodwood tree, feeding on gum, drinking dew from the leaves. It sleeps under loosened bark. It lives in the hiding places of secret/sacred objects, and waits. It looks after itself. It watches from rockholes - a little pebble: no head, no arms, no legs. It keeps silent, avoiding strangers. It holds its breath. It searches to be born, to find the woman with the kind face & large breasts - to find nakedness. The child chooses its own mother. WASH DAY Monica and Victor come over to my place to do their laundry because there?s nothing at their place. They show up on Sunday with faded dresses, frayed shirts and dusty blankets, placing them with great care into the squat, barrel-chested wringer (the whites unsorted from the coloreds). I put a country?n?western record on while the clothes and blankets squish - S?fump S?fump S?fump - turning the water a dull red. In the lounge room Monica and Victor sit in green cane chairs sipping tea and reading comics. We speak very little to each other. I don?t want to scare them away - We are trying very hard. Our relationship has grown, so slowly from nothing to laundry. RICHARD'S SONG No meat no rifle no spear can?t know em store hungry can?t buy em no money can?t steal em me can?t grab em can?t work em can?t grip em my kids hand broke workin tractor can?t feed em hungry got angry not lucky me can?t fight em one month one bed four wall



Notes on the Poet

I have the same number of relatives as the number of hexagrams in the I Ching, and used to think this was significant back in the days when I didn?t eat meat and chopped firewood in a sarong. I was born in Orlando, Florida, in 1947 - the only son of two wandering West Virginians. I left the States in 1972 because too many bumper stickers said, "America: Love It Or Leave It"; and because my favorite American literature had been written by expatriates.

I have written in various forms - poetry, plays, fiction, screenplays, historical non-fiction, criticism - to keep myself alert and interested in living. My published work includes the modern Australian classic, Singing the Snake (Harper/Collins, 1990); and the equally-good though less-classic, Lasseter : In Quest of Gold (Hodder & Stoughton, 1989). Taking America Out of the Boy, an irreverent auto-fictography, was published by Hodder Spectrum in 1993.

Over the past few years I have concentrated mainly on dramatic writing. My first full-length play, Sixteen Words For Water (published by Harper/Collins in 1991) has enjoyed several successful productions, mostly recently in Dublin (1999). It has also had seasons in London, San Diego (California), Sydney, Melbourne, Perth, Hobart, Dunedin (NZ). In the late 1980s, I paid the rent writing episodes for Paramount Television?s Mission:Impossible (which was filmed entirely in Australia); and was creator and co-writer of the award-winning, ABC (Australian Broadcasting Corporation) television drama series, Stringer

Much of my work has been influenced, and continues to be influenced by my long association with tribal Aboriginal people. From 1978 to 1983, I lived and worked at Papunya Aboriginal Settlement (275 kms west of Alice Springs, N.T.) where I collected and published stories and other materials in the local dialect [Pintupi/Luritja] for use in the Papunya outstations? bi-lingual reading programme. I am conversant in several Aboriginal dialects. My film documentaries - Desert Stories, Nosepeg?s Movie, and Pride & Prejudice - as well as other work, draw heavily on my time spent in the desert.

My latest play, Eisenstein in Mexico, has been translated into Spanish, and will be published by the University of Sinaloa Press in Culiacan, Mexico, as part of their world literature series.

; Josh's Sanctum




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Plays and Poetry
by Australian/American Poet and Playwright,
Billy Marshall Stoneking
- "one of the most powerful voices in contemporary Australian literature."

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